The Film Baby Review: An Astute Portrait of LGBTQ+ Brazilian Hustlers Lost in the Established Order

Capturing the urban restlessness and dynamic spirit of São Paulo, filmmaker Caetano's gripping drama centres on those who live on the fringes of an perpetually shifting metropolis. Recently released from juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; abandoned by his parents, the wide-eyed young man seeks comfort in the arms of others.

On an evening out with his boisterous group of queer and non-binary friends, Wellington encounters Ronaldo (Ricardo Teodoro), a strapping, magnetic hustler more than twice his age. Illuminated by the flickering glow of a neon-lit porn cinema, their first meeting is intimate and charged, with an tinge of peril. Ronaldo swiftly initiates Wellington to the clandestine realm of prostitution and selling drugs.

A Portrait of Empathy Rather Than Exploitation

The film illustrates Wellington’s new life of crime with gentle sympathy as opposed to as a sensationalist cautionary tale. Now adopting the moniker Baby, he engages in his paid liaisons with brash fearlessness and endearing innocence. To his patrons, Wellington provides not just his youth and his body, but also fleeting acts of kindness.

In the feverish excitement of São Paulo, overflowing with crowded backstreets and vibrant storefronts, there’s a persistent isolation, as adrift individuals hold fast to one another for fleeting joy.

"The urban landscape can be riddled with risk, yet they are the place where they can find their own family, too."

A Complicated Dynamic of Love and Control

Ronaldo is both a lover and a sheltering paternal presence to Wellington, but their relationship is derailed by possessiveness and financial instability. Intimidation from dubious individuals in the shadow economy seem minor next to the anxiety about state surveillance and incarceration, epitomized by the hovering figures of police officers making their rounds.

Baby is particularly impactful as an astute portrait of the disenfranchised individuals who have fallen through the cracks the established structure. The film ultimately serves as a poignant exploration into making ends meet, chosen family, and the search for purpose within a demanding urban landscape.

Ian Benson
Ian Benson

A Berlin-based tech journalist and lifestyle blogger with over a decade of experience covering digital innovation and urban living.