An Cooperation of Human Perception: The Royal Ballet Teams Up alongside Blind Creator for Pioneering New Production

The Royal Ballet for years provided headphones with spoken commentary so that blind audience members could track the performance on stage. Currently, through a innovative performance, the entire crowd will experience such commentary within a piece that explores how visual impairment can reshape our reactions to experience, music and narrative.

Blind Artist Works with Famous Dance Creators

Devon Healey, a visually impaired creator, is working with Sir Wayne McGregor, together with other choreographers, and musician Max Richter in producing a fresh ballet company work that will debut on November 12th, World Ballet Day, as announced recently.

Within her creative practice, the artist is motivated by a wish to demonstrate how blindness and disability can present an different type of awareness for everyone. Her rich spoken descriptions, woven with the composition, forms the heart of the performance on stage.

"Producing exceptional dance and musical theater for each person" is a motto of the the organization. Under the director, the Royal Ballet's leader, the troupe is concentrating on "radical accessibility – inviting performers and patrons to experience dance in life-changing new ways," he explained.

Various Dance Creators Partner on New Performance

The fresh production is being choreographed by Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, in addition to Wayne McGregor, all partnering with Healey.

Robert Binet, the curator of this production, said: "International Ballet Day was founded on the principle of accessibility. Following a decade, we're pushing that idea deeper to examine how challenged perspectives can influence our art form, and invite audiences of every capability and histories to encounter dance in innovative methods."

After collaborating with the artist in Canadian venues and Australia, he understood that individuals who can see who had heard Healey’s descriptive audio believed it assisted them understand dance, which can look so complex.

Moving Collaboration Of Professional and Amateur Performers

In one performance, the company's dancer Leo Dixon will dance with Takashi Kikuchi, an non-professional performer who has been sightless from birth and who had always thought that ballet was "mostly for individuals with vision". But the dancer has understood that it in fact "includes a lot of sensation and feelings" and taps into perceptions, "visual and other sensory".

Kikuchi’s unique narrative of once losing his way on his way home and relying on the sunlight to direct his way back had motivated a dance piece in which Dixon becomes the "warm breath of the sunlight around Kikuchi as they dance in unison," Malcomson said.

"It was during the day and I had a feeling that the sunlight should be shining from the west. So, if I turned toward the sunshine, even though I wouldn’t see the sunlight itself, I could feel the heat … So I kept walking to the western direction …. It led me home. The sun was a good assistant to me. The sunlight could be a powerful representation. So the story originated from there."

Blindness Presents Unique Connection with Movement

Healey, an scholar of disability studies at the University of Toronto, said: "Visual impairment and lacking sight encourages a vibrant relationship with motion in a way that is comparable to a expert performer's bond with their physical self and motion."

In partnering with the dancers, she was attempting to express what "they feel in their body, something that’s just not accessible through looking," she explained. "I converse with the dancers to get a understanding of how they’re feeling in their body, where their respiration is, what they’re thinking, how their muscles are feeling.

"Working together with the choreographers [and] attire, illumination, stage design and sound artists, the understandings and artistry of blindness are ever present as we, blind and seeing people, build a connection through our affection of motion and performance. It is this artistry and passion that I strive to weave into the immersive descriptive audio. It is a cooperation of the faculties directed by blindness."

The artist added: "Although the view of the ballet, the stunning visual feast, is available before the viewers, there is so much that they overlook or appreciating, and it is visual impairment that is welcoming seeing and visually impaired audience members equally into the unseen. What I hope is that, when audience members exit, they feel performance in a different way, and they’re also experiencing the existence, and listening to the viewpoints of, blindness in innovative and active ways."

Composer The Composer on Sound Descriptions

The composer, whose compositions have gathered more than 3.5bn digital listens, said the descriptive commentary formed a rapport between visual impairment and vision "via a musical landscape, giving voice to that which does not always appear". He added: "This isn't simply a narration of a show. It is the performance itself."

World Dance Day Partners

The Royal Ballet’s international partners for World Ballet Day include the Canadian ballet company and the Australian Ballet. The troupes will also provide availability to behind-the-scenes material, practice sessions and freshly produced pieces – broadcast as it happens via their official platform.

Ian Benson
Ian Benson

A Berlin-based tech journalist and lifestyle blogger with over a decade of experience covering digital innovation and urban living.